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Fender Acoustasonic 15 - 15W Acoustic Guitar Combo Amplifier - Suitable for Acoustic Guitar

£9.9£99Clearance
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Lastly, the Acoustasonic 15 doesn’t feature a reverb effect. Undoubtedly, this amp would be much better with a built-in reverb instead of the built-in chorus!

For extra ambient depth and shimmer, the Acoustasonic 15’s instrument channel features a built-in chorus effect. What do you think about that combo? Would you add it to your own gear collection? Leave a comment down below and let me know what you think, I’m really interested to hear your thoughts! The woofer features a “Whizzer cone” designed to provide an enhanced high-frequency response; in other words, you won’t lose any of your favorite acoustic guitar‘s sound in the amplification process.

Specifications - Fender Acoustasonic 15

It’s a solid state model with 1 5 watts of power, giving it surprising punch for a small amp. The 6 inch speaker has a full range response, and includes a specially designed whizzer cone designed to improve the high frequency tones. This amplifier is not battery-powered but uses a fixed AC cable which means that buskers need to find a power source before performing. In addition, there are some convenient functions missing here such as reverb effect, external FX loop, footswitch connection, etc. but these are not a must-have for a beginner. The effect permeates the already warm tone, rather than seeming to lay atop it, as is the case with many onboard chorus effects. The onboard chorus effect is variable, meaning you can control the response frequency with a simple turn of one knob. Fender Acoustasonic 15 is manufactured in China. Where can I find the manual to Fender Acoustasonic 15?

A smart and impressive-looking acoustic guitar amp, the Fender Acoustasonic 15 amp is a beginner or a street musician’s dream come true. As for construction, this amplifier gives the impression of being a robust and well-made amplifier that will likely stand the test of time. Most guitarists, myself included, would rather play through a great-sounding amp that looks terrible than through a great-looking amp that sounds terrible. Fortunately for anyone interested in the Fender Acoustasonic 15 amp, this little 15-watt soldier sounds every bit as good as it looks. Like the Fishman Loudbox Mini Charge, you can take this amp anywhere, with the choice of AC power via an adaptor at the wall or 8 AA batteries. The batteries are housed in a removable carriage and can be recharged. It’s not quite as elegant a solution as charging the Loudbox at the wall but bear in mind that should you leave your charger at home you can get batteries anywhere at a pinch. Note: If you have a copy of an old Fender Guitar Amplifier owner's manual not shown in this archive, we'd love to have a copy to post here. A PDF would be great, or even a scanned JPEG, GIF or TIFF that we can convert. With two channels (a 1/4″ instrument channel for acoustic or acoustic-electric guitar, ukulele, mandolin, etc., and another XLR input for a microphone), a three-channel equalizer, and an onboard chorus effect, the Acoustasonic 15 would seem the perfect acoustic guitar amp for the traveling musician.

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On the other hand, the 40-Watt version is a bit bigger and heavier, so it’s more difficult to carry around.

Enough about the amps’ impressive aesthetic and specifications; let’s get to where the rubber really hits the road for any musician: how does the Acoustasonic 15 sound? Tone On The Fender Acoustasonic 15 Although Fender Acoustasonic 15 is generally a really good amp, it’s not the best acoustic combo in the world. It has its own disadvantages, although in my opinion they’re not too serious. Amps such as the Marshall AS50D have a notch filter and a frequency sweep control to really give you control over it. Others will have phase switches, on/off buttons that cut some of the low-end frequencies that can cause mischief.

At A Glance:

Truthfully, I was expecting Fender to blow Pyle out of the water in terms of tone, but I was pleasantly surprised; the fact is, the Pyle produces a warm, pleasing tone that belies its small size. In terms of the settings on the amp there’s a a volume knob for each channel, then a bass, middle, treble, and a very quirky chorus effect which will give you rhythm section a noticeable shimmer. German acoustic amp titan AER manufactures a suite of incredible acoustic amps but for our money, and for the professional’s money, it’s the AER Compact 60 MkIV that takes the cake. It will bring out the best in your acoustic, delivering its tone amplified, untampered, and with all the mod-cons you need in a pro-quality two-channel acoustic amp. For the gigging guitarist and studio pro alike, this is the one. Used by the likes of Tommy Emmanuel, its small and portable but can fill a room. The Compact 60 is super-practical. Its birch-ply cabinet is boxy but compact and light enough to take on public transport, and it is ideal for stage or the studio. Secondly, there are heaps of player-friendly features here and they’re all simple to use. There are four presets for the effects.

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