Bert Weedon's Play in a Day: Guide to Modern Guitar Playing (Guitar)

£5.46
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Bert Weedon's Play in a Day: Guide to Modern Guitar Playing (Guitar)

Bert Weedon's Play in a Day: Guide to Modern Guitar Playing (Guitar)

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Description

Choose this script if you have ‘strong’ actors that can carry the play and a group of creative students who would benefit from working as an ensemble to present a piece of theatre. The play explores undernutrition and over-nutrition and contains a lot of information to spark discussion and split opinion. Some schools book Play in a Day® to support work in the classroom, whilst other schools book it for its pastoral benefits and to build on Speaking and Listening strategies. If you do want a specific theme for the day to tie in with the children's work, please advise our office well in advance of our visit.

Play in a Day | News | Tudor Hall School Play in a Day | News | Tudor Hall School

Throughout the week the group create the drama; develop characters, discuss and devise scenes to build their play for a performance on the final afternoon. This process is designed to develop writing, drama and improvisation skills and teamwork. Setting and Style: Set in the current day and then jumps into the future. We also see an Indonesian Family and their reaction to the events taking place in the play. The style lends itself to the students creating their own sound and representing things in the futuristic world through physical theatre. What a fantastic day- it completely exceeded my expectations. I honestly didn’t think it would be possible to get all of that done in just one day! The children absolutely LOVED it! The play content enhanced what we have already been learning and introduced new ideas, all done in a completely child-friendly way. Chris formed excellent relationships with the children, even in such a short space of time. He was energetic and enthusiastic and made the day really fun. Parents, staff and other children commented on how brilliant the finished product was. Theatre of Debate was commissioned by the Wellcome Trust Crunch project to create five play in day scripts and resources for secondary schools. The future of food is one of the biggest challenges on our plate. Food and drink are fundamental to our lives, connecting everything from our health to the world around us. It’s time for us to take a fresh look at our relationship with food and be inspired to create the recipe for a happier, healthier future. verifyErrors }}{{ message }}{{ /verifyErrors }}{{ Sound and Movement: Alex Parson’s original music and sound effects are provided for your use. It is clearly marked in the script where to use the music or sound cues; however, feel free to add your own spin on things or incorporate the pupils’ own live sound effects. What can be done to make sure everyone has a balanced and healthy diet of nutrients to promote a healthy body? All that is needed to be part of this exciting project is a suitable space (school hall) for the day’s workshop, rehearsals and performance. Children do need to be available for the entire day (excluding normal breaks and lunchtime). There are no set, costume or prop requirements. Children can be dressed in normal school wear with gym shoes or trainers. Setting and Style: The playwright has suggested the simplest way to stage this would be to use a bare performance space with bright/quirky costumes and props which the cast don/use as required. The cast could sit in a row of chairs getting up to perform their parts and physically/stylistically make the settings/scenery as described. The acting style is meant to be over the top, caricatured and good fun.

Konflux Theatre in Education

Choose this script if you have several strong students keen for speaking roles and a creative group of young people that want to explore staging and transitioning between multiple locations. The play introduces them to a world in the not too distant future and really gets them thinking about the choices they make about food. Casting: 8 key lead roles representing modern day teenagers and those in the future with approx 5 or 6 supporting roles that can be adapted. All students can be involved in the performance through sound scaping and physical theatre.Casting: Flexibility within the casting except for 2 of the roles which need to be played by the same actors throughout. Can work with groups of students from 8-30 depending on how you want to stage it. Play in a Week is a popular choice for groups and schools who have a theme week, or a special celebration, as the play can be on any topic you choose. Choose this play if you have a smaller group of students who all want a speaking role. (The play can lend itself to a cast of 30.) The play explores different cultures and countries throughout so gives students an opportunity to learn information through playing a role. Lots of freedom in this script to put your own spin on how it is performed.

Bert Weedon - Wikipedia

Very recently Play in a Week has been the focus point for many school transition and Summer School projects. Working with a number of pupils from each feeder primary school, Play in a Week is a fantastic opportunity for children to come together to meet each other, share ideas and then work together to create their very own play. The final play often takes place in the secondary school where the children will start their new schooling life together. Yes, Play in a Day® is very popular in secondary schools! Our Anti-Bullying, transition and Internet Safety titles are most popular along with our Shakespeare and History workshops that are often booked to aid GCSE revision.One of our facilitators would work with a group of 35 pupils throughout the day, using different drama techniques and exercises. The day accumulates in the pupils sharing a short performance to an audience of their choice. This performance will showcase what they have learnt throughout the day and show the remarkable confidence this workshop brings. Setting and Style: Open to interpretation but there are stage directions within the play to help support a ‘in the round’ production using the students to define the stage space. The dialogue is very naturalistic and dramatic in terms of the way it builds and there are a lot of lines for the two main male roles. There is also the opportunity for the students to provide their own live sound to compliment the piece. Casting: 8 larger speaking roles, 1 female lead who is telling her story. Several other supporting roles with speaking parts and enough parts for up to 30 students as part of an ensemble that plays school students, people at the summer fayre etc. A domestic house setting. Tables and chairs etc. Table laid for dinner. A big flat screen TV dominates the wall. Focus: Agro Biodiversity – The variety of different types of agricultural produce found on earth and what this means for human health. In the context of this play this refers to different types of food.



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