Algorithm III: Large reverb. From hall to ambience. Taken from Splash MkIII with a small twist for extra decay. Algorithm III : large reverb. From hall to ambience. Taken from Splash mk3 with a small twist for extra decay. The dry signal is still 100% all analog and we chose to do all the mixing and filtering of the wet signal also in the analog domain to get the best of both worlds.

On top of that we added the extra flexibility of controlling decay and excite controls on all algorithms via an external expression pedal and / or the on-board footswitch thus creating the ultimate ambient tones. Algorithm I: The "exciter". From a touch of ambience to spacious pad effect, especially on extreme settings. Taken from Splash MkIII with a small twist for extra decay. Algorithm I: The “exciter”. From a touch of ambience to spacious pad effect, especially on extreme settings. Taken from Splash mk3 with a small twist for extra decay. Algorithm II: Moderately-sized reverb. From a spring-style 'verb up to room and hall. Taken from Splash MkIII. Medium decay.Algorithm II: moderate sized reverb. From a spring style reverb up to room and hall. Taken from Splash mk3. Medium decay.

On top of that, this pedal also features the extra flexibility of controlling decay and excite controls on all algorithms via an external expression pedal and / or the on-board footswitch thus creating the ultimate ambient tones.

Another great way that lets you browse and watch tubesplash.com is using cached results from Google search engine. Method 6: Public DNS Servers On top of that, CTC added the extra flexibility of controlling decay and excite controls on all algorithms via an external expression pedal and/or the onboard footswitch, thus creating the ultimate ambient tones. The dry signal is still 100% all-analogue and CTC chose to do all the mixing and filtering of the wet signal also in the analogue domain, to get the best of both worlds! 8 Reverb Algorithms

Algorithm I: The "exciter". From a touch of ambience to spacious pad effect, especially on extreme settings. Taken from Splash mk3 with a small twist for extra decay. The dry signal is still 100% all analogue and all the mixing and filtering of the wet signal was done in the analogue domain to get the best of both worlds.