Whilst the plot was generally well structured, it felt too slow - the whole story takes place over just four days, but the narrative made it feel like several weeks. Fewer clichéd descriptions and less outrage on Birch's part would have gone some way towards remedying this, but the whole book would have benefited from more stringent editing and refinement. The very first thing I noticed about this book was the author’s writing style. Calling it juvenile might go a bit too far but it was definitely too tame for my taste. Bland and boring, it was immediately forgettable and repetitive. It’s always “the ship stretches the best part of…” or “the best part of fifty thousand tons” or “the restaurant’s capacity to seat the best part of five hundred diners” or “the best part of an hour/minute”… There were some incredible twists to the plot, none more than the final twist. I would never have seen that coming and I really didn't sense any foreshadowing even on reflection. Raymond maybe had me wondering at something but I wasn't sure what. My favourite westward Atlantic crossing detective novel is Peter Lovesey's The Fake Inspector Dew (1981), but A Fatal Crossing by Tom Hindle is a first-rate addition to the corpus [...] A very good debut novel' The Critic Read more Look Inside Details

Finally, we are left with a satisfying ending, all loose ends are tied up neatly. Whilst I had figured out who the murderer was it did not take away the enjoyment of seeing this Cluedo story play out. That said, I’d whole-heartedly recommend this lively and entertaining mystery. The twists are suitably twisty and the denouement genuinely surprising. The setting is vivid and the characters are well-drawn, even if you do love to hate them at times! The two detectives are interesting characters in their own rights. Birch is struggling with the tragic events of his own life which slowly and painfully come to the surface in the story. Temple is abrasive, rude and really quite arrogant – until events conspire to change his approach. Together, they are an unusual and stormy partnership – something that is intriguing to follow. A very clever plot and a final twist which will delight Agatha Christie fans. You'll love it.' Ragnar Jonasson

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Temple is furious that he has to put up with Birch, and so begins their acrimonious partnership in which the pair have 4 days to find a killer, after which the liner arrives in New York, the passengers disembark, and there will be no chance of resolving the case. Birch is a traumatised man who served in the war, left with a bullet wound in his shoulder. His daughter, Amelia, has been missing for 2 years, and his marriage to Kate has fallen apart. He blames himself, he is a shadow of the man he used to be, putting his hopes in finding Amelia on the only person he has any faith in, American Raymond, clinging to a yellow ribbon belonging to Amelia as if his life depended on it. Virtually all the crew, with the exception of Wilson avoid Birch, he is incapable of maintaining any relationship. Temple is a man with his own demons and secrets, he refuses to divulge what police business has him travelling on the liner.

For the above reasons, whilst I genuinely did enjoy the story and wanted to know how it ended, I do not think I would have persevered to the end had I not felt obliged to leave an informed review.

Set almost 100 years ago ( 1924), A Fatal Crossing deftly combines a sense of its period setting with the plot structure and dramatic devices that readers expect a century later. Seeing readers give A Fatal Crossing such a warm reception has been nothing short of incredible," he said. "I wrote this book as a passion project at my kitchen table, hardly daring to think that I’d finish it, let alone that folks might one day want to read it – to be announcing today that it’s featuring as Waterstones Thriller of the Month is beyond anything I could have imagined. Looking to the future, I’m proud to be teaming up with the brilliant team at Century on two more novels. I’ve been working hard to cook up a pair of mysteries just as thrilling as A Fatal Crossing and I can’t wait to see what readers make of A Murder Game when it hits shelves in February." This book was actually such a fun book to read, it was a bit slow at some places, but I think it has the perfect amount of tension and cliffhangers between each hour of the night were delectable I was at the edge of my seat whenever I finished a part and had to sleep because I had to wake up early the next day.

I had high hopes for this book. I’m a big Agatha Christie fan and I love settings where the suspects are maintained together such as on a ship like this one. Whilst there’s a great twist at the end that I hadn’t seen coming, the main murder mystery just didn’t hold my attention. The book felt over long in places, and the storyline about the missing daughter felt too much like a plot device to really inspire any sympathy for Birch. The pace of the book was okay, it was neither super fast nor agonizingly slow, just perfect. I loved that we get different perspectives throughout the night, to get inside scopes to the different guests' mind and their anxiety through the night. But at least, that made him have something in common with the other characters because they were just as flat. When I say flat, I mean Ewan-McGregor-in-Trainspotting-flat ( physically speaking!!). Birch is supposed to be more interesting because the reader learns early on that SOMETHING tragic happened in this past that he is still not over yet. All we know is that it’s a familial tragedy that makes him alienated from the rest of the crew, boohoo. The action unfolds at a rip-roaring pace in this perfectly executed homage to the Golden Age of crime, which features a deviously devised plot boasting a final twist worthy of Christie herself. I absolutely loved it' Anita FrankAs a lifelong fan of Agatha Christie and any kind of murder mystery set in a hotel or a manor house this book instantly appealed to me. The author is clearly a fan as well, as scattered throughout are subtle nods to the Queen of Crime and her works. The party is thrown by Will, a young man who works in the antiques shop and among the guests are the head of the local tourist board and Damian White, a very rich man who has just bought the local lighthouse. Mr White is universally despised in the town and so when he is found dead in an upstairs room there are no shortages of suspects. The characters were mostly unlikeable apart from Theo, one of the actors hired for the party, and Lily, the victim’s daughter. I would have quite liked to see them team up and try and solve the mystery together. I enjoyed what I read of this more than the A Fatal Crossing, because it felt more focused and more clearly plotted. However, there are a lot of characters and perspectives though, which I was struggling to keep on top of, but this may have improved had I continued to read. The mystery itself is an intriguing one. It is possibly not the most original but sometimes it's great to just relax and enjoy a story that has a traditional feel to it. It's like settling down to watch a classic murder mystery on a Sunday evening. There are a few twists and turns, the odd red herring and a few reveals around events that happened in the past. I did see some of the reveals coming but there were a few surprises in there too. The storyline ensures that the reader is kept entertained and towards the end, there was a scenario that seemed to present itself to me as a possible twist, however, I was completely wrong - there certainly was a twist, an almighty twist at that, but not the one I was expecting!

Temple and Birch make an interesting partnership, particularly as it’s a very reluctant one! As an intelligent, competent and experienced detective, Temple is not at all happy about having an inept and bumbling ship’s officer shadowing his every move, saying the wrong things and interfering with the investigation. Birch is our narrator, and as we only see things from his point of view, Temple comes across as bad-tempered, rude and hostile, but there are hints that there’s more to each character than meets the eye. While Temple’s past and his reasons for boarding the Endeavour are shrouded in mystery, we learn that Birch is haunted by the disappearance of his young daughter Amelia and the breakdown of his marriage. The characters are not especially likeable and I'm not sure there's a single one you can trust but they're all very well crafted. I could picture each and every one. I love a good closed circle murder mystery so this was right up my street and so well done. There's a small(ish) cast of not especially likeable characters, some secrets from the past, a few grudges and a lot of twists and turns. November 1924. The Endeavour sets sail to New York with 2,000 passengers - and a killer - on board .I requested this ARC from NetGalley last year, it was what prompted me to read the author's debut, A Fatal Crossing, which I DNF'd two thirds in. I thought it only fair to give The Murder Game a fair shot, but as 20% in, have decided to also DNF.