well, it's actually day 14, so i might as well mess around and finish this book already. i wanted to relish it but my dumb suddenly-illiterate brain refuses to allow me to! Lecercle, Jean-Jacques (1994). Philosophy of nonsense: the intuitions of Victorian nonsense literature. Routledge. ISBN 978-0-415-07652-4.

Sheehy, Helen (1996). Eva Le Gallienne: A Biography. Alfred A. Knopf. ISBN 0-679-41117-8. OCLC 34410008. This book makes perfect sense if you had a misspent youth and went in for psychedelic substances. Just as Lewis Carroll undoubtedly did. Well he certainly liked opium. Boe Birns, Margaret (1984). "Solving the Mad Hatter's Riddle". The Massachusetts Review. 25 (3): 457–468 (462). JSTOR 25089579. You must be,” said the Cat, “or you wouldn’t have come here.” – Lewis Carroll, The Adventures of Alice in Wonderland Original Alice in Wonderland Book Covers An ongoing dispute between the executioner, the King, and the Queen (Charles Robinson, 1907) [Public Domain], via Wikimedia CommonsOf all the fantasy worlds that work around this idea, this is by far the most bizarre I have read about. To put in mildly, the things Alice encounters feel hallucinogenic as if the mind has conjured them up whilst being intoxicated. Because as strange as it all seems, there is always a touch of the real about them. And I think this is because Lewis Carroll draws on real life experiences to bring his world to life. Joseph Papp staged Alice in Concert at the Public Theater in New York City in 1980. Elizabeth Swados wrote the book, lyrics, and music. Based on both Alice's Adventures in Wonderland and Through the Looking-Glass, Papp and Swados had previously produced a version of it at the New York Shakespeare Festival. Meryl Streep played Alice, the White Queen, and Humpty Dumpty. [119] The cast also included Debbie Allen, Michael Jeter, and Mark Linn-Baker. Performed on a bare stage with the actors in modern dress, the play is a loose adaptation, with song styles ranging the globe. Op een slaapverwekkende warme zomerdag zit Alice zich naast haar lezende zus aan de waterkant onnoemelijk te vervelen. Een vestimentair piekfijn uitgedost wit Konijn dat gehaast voorbijsnelt, prikkelt haar nieuwsgierigheid. Ze gaat het achterna en tuimelt zo via een schier eindeloze konijnenpijp onverhoeds in Wonderland, een magische wereld bevolkt met sprekende dieren. Naast het voeren van absurde conversaties met de vreemdsoortige wezens, heeft ze plots haar handen vol met een baby die eigenlijk een big blijkt te zijn. Bovendien krimpt of groeit Alice de hele tijd door in een halsbrekend tempo als ze aan koekjes of paddenstoelen knabbelt! Palmer, Robert (14 November 1993). "Tom Waits, All-Purpose Troubadour". The New York Times. ISSN 0362-4331. Archived from the original on 5 February 2022 . Retrieved 5 February 2022.

Alice is full of linguistic play, puns, and parodies. [45] According to Gillian Beer, Carroll's play with language evokes the feeling of words for new readers: they "still have insecure edges and a nimbus of nonsense blurs the sharp focus of terms". [46] The literary scholar Jessica Straley, in a work about the role of evolutionary theory in Victorian children's literature, argues that Carroll's focus on language prioritises humanism over scientism by emphasising language's role in human self-conception. [47] Auction Record for an Original 'Alice' ". The New York Times. 11 December 1998. p.B30. Archived from the original on 9 November 2016 . Retrieved 14 February 2017. Jones, Jo Elwyn; Gladstone, J. Francis (1998). The Alice Companion: A Guide to Lewis Carroll's Alice Books. Macmillan. ISBN 0-333-67349-2. OCLC 60150544.

Read now or download (free!)

As the book and its sequel are Carroll's most widely recognised works, they have also inspired numerous live performances, including plays, operas, ballets, and traditional English pantomimes. These works range from fairly faithful adaptations to those that use the story as a basis for new works. Eva Le Gallienne's stage adaptation of the Alice books premiered on 12 December 1932 and ended its run in May 1933. [117] The production has been revived in New York in 1947 and 1982. A community theatre production of Alice was Olivia de Havilland's first foray onto the stage. [118] also: "Alice did not much like keeping so close to her: first, because the Duchess was very ugly." vibes. Alice cominciava a sentirsi assai stanca di sedere sul poggetto accanto a sua sorella, senza far niente: aveva una o due volte data un'occhiata al libro che la sorella stava leggendo, ma non v'erano nè dialoghi nè figure, - e a che serve un libro, pensò Alice, - senza dialoghi nè figure?»

Alice in Wonderland 150th anniversary: 8 very different film versions". British Film Institute. Archived from the original on 31 December 2022 . Retrieved 10 May 2023. Il viaggio-sogno nel mondo delle meraviglie come metafora della vita, racchiude mille interpretazioni e molteplici chiavi di lettura. Quello che traspare in maniera più evidente è probabilmente il conflitto adulti-bambini, esacerbato dall'assurdo paese delle meraviglie, nel quale le usuali regole della buona educazione sono capovolte ad uso personalizzato dei suoi strambi personaggi. E i bambini che ascoltano il racconto di Alice più volte si chiedono sghignazzando: "che cosa sta succedendo?" A la hora de dar mi opinión sobre Alicia no estaba seguro por donde empezar. Prácticamente se ha dicho todo y no sé que más puedo aportar. Pero además, a este hecho, se suma que siento que es un libro que tiene mucho escondido en el fondo, donde no se pueda ver bien y eso consigue que cada lector entienda la obra de una manera. Quizás un mismo lector la entendería de diferente manera si la releyera. First published by Macmillan more than 150 years ago, Lewis Carroll’s iconic story has been loved and enjoyed by generations of children.How appropriate for this volume to appear as part of the celebration of the 150th anniversary of the first publication of Alice's Adventures in Wonderland. Burstein and Banchoff give us insights into the genius of both Carroll and Dalí, and then we have Dalí's illustrations, which are far distant from any suggestion of realism. Altogether, it is a remarkable voyage through Wonderland on a new plane—an enlightening and pleasurable adventure."—Morton N. Cohen, author of Lewis Carroll: A Biography Nichols, Catherine (2014). Alice's Wonderland: A Visual Journey Through Lewis Carroll's Mad, Mad World. Race Point Publishing. but! cheshire cat appearance. and "we're all mad here." huge quote for people with watercolor tattoos and hot topic graphic tees.

The introduction by Burstein . . . and Thomas Banchoff provides a valuable grounding in [Dalí's] interests and obsessions at the time the gouaches were created."— Library Journal If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn't. And contrary wise, what is, it wouldn't be. And what it wouldn't be, it would. You see? Honestly, the drug reading is simple and boring. It’s such a stretch to attempt to read each character as a different substance. And scrolling through countless quasi-psychedelic GIFs to find the actual ones was irritating, too. Ah, yes, real art: taking images from a 1951 children’s film but messing with the colors and movement until it looks like nothing more than a trigger for epilepsy. Enough, Tumblr. I don't enjoy nonsense. I like things to be logical and follow some kind of structure... I guess that's the scientist in me. Of course, not everything can be logical in horror books etc, but this was like a different level of ridiculousness. Nothing made any sense, things were all over the place. We were just jumping around everywhere and I just wanted the experience to be over. If this book wasn't so short, I think it would have became a DNF for me. Published in Italian as Le Avventure di Alice nel Paese delle Meraviglie, translated by Teodorico Pietrocòla Rossetti. [88]Gray, Donald J., ed. (1992). Alice in Wonderland: A Norton Critical Edition (2ded.). W. W. Norton & Company. ISBN 0-7358-1166-0. OCLC 40881493. Its narrative course and structure, characters and imagery have been enormously influential in both popular culture and literature, especially in the fantasy genre. Well, let me see. Here is the title, and here is the date I read it. That must be today. Now I need to explain the plot and the overall point." Sulcas, Roslyn (1 March 2011). "Alice on Her Toes, at a Rare Tea Party". The New York Times. ISSN 0362-4331. Archived from the original on 9 November 2016 . Retrieved 25 January 2022. This] is the copy of Alice's Adventures you keep after having given all the other celebratory variants away . . . it comes with two very astute and well-illustrated introductions. . . . It is, as the introductions state, as both creators would like to see it—two weird and/or wonderful minds with much in common, harmonizing across the centuries to result in this very handsome modern edition."—John Lloyd, The Bookbag